Toolbox for Green Innovation

A Practical Guide For Film Professionals

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Ecosystems / Lithuania

Lithuania

Flag of Lithuania with horizontal yellow, green, and red stripes.

Low structural support: Sustainability strategies are required in funding applications, but there’s no enforcement, certification, or dedicated national tools.

Grassroots leadership: Industry figures like Emilija Sluškonyté and the new Baltic Producers’ Network drive regional green initiatives.

Biggest challenge - Energy: Access to green energy on set and in post-production remains limited despite Lithuania being a green energy exporter.


This territory profile is based on an interview with a Producer at Austre Studio, Emilija Sluškonytė, as well as input from Head of the National Film School and Associate Professor, Vytautas Dambrauskas.

Lithuania’s film industry has grown rapidly in the past year, attracting larger productions with skilled crews, tax incentives, and cost-effective services. However, challenges remain: limited infrastructure, few film schools, and heavy reliance on public funding. The industry’s carbon footprint is relatively low, with many sustainable practices adopted out of necessity, such as careful location selection, waste management, and equipment rental. There is no standard certification system, though some companies have experimented with tools like Green Film; most lack the resources to meet certification criteria.

Producer Emilija Sluškonyté highlights energy use as the main barrier to greater sustainability. While Lithuania has experts training crews, improvements in energy and post-production are needed. Post-production emissions are significant, but most work is done by freelancers in small facilities, making energy tracking difficult and ethically sensitive.

The Lithuanian Film Centre requires applicants for funding to submit a sustainability strategy, but there is no feedback or enforcement. Guidelines recommend minimizing environmental impact, using energy-efficient and recyclable goods, and following the “4R” principle: Reduce, Reuse, Recycle, Restore. For catering, 30% of the food should be organic.

The Lithuanian Film Law (2012) established the Film Centre, but it does not specifically address green production. Current geopolitical pressures (Russian invasion of Ukraine) may further limit funding for sustainable initiatives, making public policy even more important.

The Lithuanian Film Centre doesn’t have or promote any green handbooks.

The Film Centre has no certified green manager. Emilija Sluškonyté is recognized as the leading expert in this area. She founded AUSTRÈ STUDIO and a Baltic sustainability network, advocating for eco-friendly practices, and was recognized for her work at Cannes in 2022.

According to the Head of the National Film School and Associate Professor, Vytautas Dambrauskas, Lithuania is a part of the Nordfilm Network, which brings together 11 film schools across the Baltic and Nordic regions. One of the key annual activities is the Nord Creative Camp, held in Lithuania. 

The camp began with a focus on “Green Future in Film,” where students attended lectures on green production and created films aligned with sustainable practices. 2025 marks a new phase: “Sustainable Stories,” which explores sustainability and green filmmaking from concept development to premiere. 

As is the case with Estonia, Lithuania also takes part in the Green Production BIP that will be located in Tallinn, as there is being organized a workshop for students from across the FilmEU alliance and the Nordfilm Network.

There are no sustainability requirements for co-productions, though Lithuania is a popular location. However, it lacks the infrastructure, like tailored toolkits and trained coordinators, needed for green certification.

Lithuanian Film Centre is working on the action plan to implement environmental sustainability principles through the implementation of funded film development and production projects, as well as the training on sustainability in film production is planned.

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